Even though it’s technically a story in which two main characters become an official couple within the first ten minutes of the first episode, I wasn’t initially involved with the series. All it does is exchange one cliché for another. A lot of the humor feels very repetitive, often revolving around Kana having pretty much the same reaction to every new situation she encounters. A confident, flighty woman is pure at heart, so the idea of trying to cover this up with more violent or excessive outbursts is common.
The serious lengths of Kanan’s extreme reactions would be interesting if she would sometimes default to doing something more shocking than the rather innocent actions Yoji wants to commit. Sometimes she would mistake his seemingly innocent suggestions, such as going on a date, for something sexual or exhibitionist. That’s the funniest thing about this comedy, because Kenan is so embarrassed by everything that she doesn’t even realize what she’s doing half the time. She doesn’t want to hold hands, but it’s okay to walk around in public with her boyfriend’s hands tied together with a rope. However, these are just a few of a series of more predictable back-and-forth exchanges between the protagonists, which makes the first half of the show feel even more boring.
After the show reaches about its midway point, things finally start to pick up in other ways. This repetitive humor is replaced by some really strong character moments between Kanan and Yōji. In fact, I’d say there were even moments where they felt like a real couple. The show is still bogged down by its desire to maintain a repetitive status quo, but I do enjoy the occasional moments of emotional maturity between the two. Yoji may be a simple-minded horndog at times, but he is very sincere and loyal. He can’t always read situations, but he does know what to say to make Kanan fall in love with him, even if he doesn’t always realize it. He’s probably one of the most realistic examples of over-the-top teenagers on this type of show.
What I also like about the second half of the show is that it delivers over-the-top reactions to the other actors. The humor isn’t about watching the main couple have a bad relationship with each other, it’s about Kanan’s family recovering from their relationship. It makes the show’s characters and reactions more extreme, whether it’s Kanan’s father’s ridiculous appearance or her sister’s weird fetishes. There were definitely moments that caught me off guard, and this is where the show highlights its true potential as a sex comedy. If the show had used these elements more in the first half, it would have been stronger overall. However, this also meant that the show ended on a much stronger note than it started, which ultimately left a better impression on me.
The animation definitely helps a lot with these comedic moments, whether it’s incredibly distorted or exaggerated facial expressions, fast-paced character animation, or just a well-placed edit. The character designs are definitely a bit flat, and there are moments where it feels like the characters are unintentionally falling off the mold, but for the most part, this is a well-presented show that leans toward a comedic tone. It feels like a show where the staff knows what it wants, and even a lot of the music choices lean toward a weird, sexual vibe, with some good saxophone and well-placed strings. The element of the show that really sells the best jokes is the voice acting.
Corey Pettit and Bradley Gareth Kanan and Yōji respectively swing for the fences with these vocal performances. The screams and shouts really highlighted the absurdity of the scene. I particularly like Corey, who can deliver a lot of his own lines while sounding innocent, while Bradley manages to really sell how obsessed he is, despite the character’s rather bland face. this dubbingThe script was also clearly influenced in some areas, but surprisingly not too much, as many of the characters in the Japanese version did seem to use a lot of inappropriate language and slang. this dubbing Well done on this, especially in the second half of the show.
In many ways, this show was better than I expected, although it ultimately took a while to get there. The animation and voice acting really contributed a lot to the sales of many of the scenes. The show is at its best when it allows itself to be big and weird. The problem really is that the first half of the show doesn’t turn out to be much more than it’s cracked up to be. If you’re a fan of certain comedies where the heroine reacts in kind to the male lead’s advances, this show might surprise you in a number of ways. For someone like me who’s been around the block for a while, I don’t think I’ll be returning to this show except for the last few episodes. Sometimes it takes a while for a show to really find its groove or really develop what makes it stand out. I’m just worried it might take too long to get my clear advice.