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AnimeWorldLand – This Week in Anime

As summer winds down, Lucas and Sylvia take a trip to some of anime’s most notable theme parks.

This column contains some NSFW images.

Disclaimer:
The views and opinions expressed by the participants in this chatlog are not the views of Anime News Network.
Spoiler Warning for discussion of the series ahead.

Crunchyroll streams Dragon Ball Super, Deadman Wonderland, Kemono Friends.
HIDIVE streams Amagi Brilliant Park.


Lucas


Sylvia, if Chris and my NFL Preseason column last week didn’t make it clear, we are firmly in the dog days of summer! With classes already resuming in some school districts, this is the time of year to get in the last hurrahs of summer! Now’s the time to sneak in that last beach trip, to plan one last big hangout with friends, to do one last big amusement park trip! In fact, news broke last week about a Dragon Ball theme park coming soon to Paris, Fran-

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Oh, never mind. This is a headline/investment chasing scam, and the people involved have yet to get permission from the MANY rights holders tied to the Dragon Ball IP to make this happen. While we could use this news cycle as motivation to talk about how rich people feel like they can just say stuff and it will manifest into reality nowadays, it’d be a lot more fun to talk about the wild and wonderful ways amusement parks have manifested in anime over the years!

What do you say? Want to split the cost of parking and admission and take in all these various escapes that the whole family can enjoy together???

Sylvia


Hey, we might as well take some flights of theme park fancy, because that’s all this project currently exists as! Although I do want to say off the top that this news cycle reminded me that a Dragon Ball-themed theme park was already announced over two years ago!

Major caveats being that this is one part of the grander “Qiddiya City” project, which is a ridiculously ambitious (some might say just plain ridiculous) plan to build a megacity in the middle of a desert in Saudi Arabia. And while there haven’t been any updates on the Dragon Ball side, I will note with some irony that the only part of Qiddiya City to come to fruition so far is a Six Flags and a water park. It’s amusement all the way down.

So, I know that Saudi Arabia’s Public Investment Fund, the means through which the nation’s royal family is reinvesting their coffers into other industries now that global dependence on their oil sector is waning, is a regular cause for concern and source of disruption for numerous industries. With the country’s abysmal human rights policies, I don’t think anyone feels great about gaming juggernauts like EA becoming soft power efforts by a nation that doesn’t allow women to do much of anything.

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However, the positive side of this is that members of the Saudi Arabia royal family running the PIF don’t appear to be particularly good at this joint economic pivot and promotional effort. Their headline-grabbing endeavors like these theme park initiatives seem to stall out as quickly as they’re announced, and event culture plays fizzle fast. I didn’t see a single set from the Riyadh Comedy Festival make its way onto any of my socials or algorithms, but it did generate tremendous controversy and forever tarnish (or in some cases further tarnish) the careers of participating comedians.

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And I hope everyone will forgive me for flexing my Poli. Sci. degree so early in what’s supposed to be a more fun column, but this has been on my mind for a minute, and is maybe one of the most effective examples of the incompetency of the uber wealthy that we can point to today.

No need to apologize! Maybe that’s something we should all be thinking about more. How even our modes and methods of amusement, through the increasing stratification of wealth and the exploitation of labor, become vectors through which vast sums of money are funneled and concentrated into fewer and fewer hands, for the benefit of a smaller and smaller slice of the populace. Can we enjoy the thrill of a rollercoaster when we know which skeletons make up its frame? These are tough things to ponder, and I don’t have the mental capacity to do so right now, so let’s switch up the pace with some cheerful theme park anime!

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Oh darn, my cheerful theme park anime has Themes.

Sylvia, I cannot even begin to express to you how surprised I was by the politically motivated gut punch Deadman Wonderland delivers in even its opening moments! I thought this was an edgelord anime from 2010 that I only knew about because it’s waifu escaped containment during my peak anime forum lurking years, but it knows what’s up! It even understands how socially harmful organizations use charity as a means to undercut entirely legitimate criticism of said organizations!

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Also, yes, I went to Disneyland twice this summer after having lived in Los Angeles for five years, and I was acutely aware of the rose-tinted capitalism happening around me. While I did have a good time while I was there, I don’t think I’ll go back unless my friend who works in a division of Disney provides comped tickets again.

Deadman Wonderland‘s particular brand of edgelordism has aged well, mostly as a result of capitalism becoming even capitalismier. And certainly, this dystopian idea of combining capital punishment with entertainment has been with us for a good while. You’ve got The Running Man from the ’80s. You’ve got Squid Game from this decade. It’s like we have a cultural memory of the spectacle of gladiatorial combat.

The people crave blood! And Deadman Wonderland is going to give it to them via Fall Guys style death games!

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While I was initially shaky on this show and this world’s willingness to accept that a fourteen-year-old somehow murdered an entire classroom of his peers with inhuman levels of carnage and efficiency, Deadman Wonderland quickly made it clear that I was overthinking this one.

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Once the eagle police officer snipers showed up, I realized I needed to turn my brain off a little bit and go with the flow. Sure, that might be a little contrary to the web of conspiracies and shifting character allegiances that the first few episodes of the anime set up, but when the anime nonsense is this good, I can’t complain.

Exactly. But that’s enough of that fun for now. I thought starting with Deadman Wonderland‘s weirdness would be a good bit, so now we can move on to a normal theme park anime. And hey, look, there’s one that was adapted by KyoAni: Amagi Brilliant Park! Sounds like your average theme park to me. Let’s check it out.

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Oh no, I did it again.

Do amusement parks have, like, a global association with America? Because guns keep showing up in anime about amusement parks, and I am so curious about what might be motivating that throughline!

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Also, despite being just about as elevated in its execution as Deadman Wonderland, Amagi Brilliant Park is far more interested in the logistics of trying to save a failing theme park that’s secretly a home for various magical creatures. Basically, it’s a mix between Defunctland, Gordon Ramsay’s Kitchen Nightmares, and some of the best waifu designs the mid 2000s had to offer!

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And, while I know that all sounds a bit too conceptual for its own good (or at least it felt that way during my freshman year visit to the University of Wisconsin-Madison’s Anime Club), this is a surprisingly funny show that manages to feel pretty cohesive once your disbelief is thoroughly suspended!

It definitely homes in on the sense of whimsy one is supposed to get from these centers for amusement. I’d also say it’s one of those KyoAni series that people very rarely talk about anymore. Heck, I hadn’t thought about it in years, until this column’s topic gestated in our group chat. But I also found it rather charming upon revisiting its attractions. Plus, how can you hate a show when the main trio is named after famous rappers?

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Although, unfortunately, Seiya Kanie’s namesake is one thing that hasn’t aged particularly well about this series…

Lmao, the “one of these things is not like the other” jingle was playing in my head just as I pointed that out!

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Though, I’m thrilled to say that the MC’s name is seemingly the only part of this anime that’s aged poorly! The dub has a fun, “we’re still figuring out what anime sounds like” charm to it, and many of the gags still hold up! I’m especially partial to every joke where these cutesy, mascot characters behave like the often overworked and frequently horny we know theme park employees to be!

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Also, Moffle taking off his shoes to reveal feet that are identical to his shoes is one of the best sight gags I think I’ve ever seen in an anime, and it deserves everyone’s attention!

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Dumb/brilliant visual gags are the surest sign of a good anime. Additionally, I guess I can’t be too upset about a protagonist named after Kanye West when the most famous amusement parks in the world are named after Walt Disney.
You know, the notoriously unproblematic cartoonist.
Honestly, Walt probably would have loved Amagi Brilliant Park (the literal park and not the anime). Between the sense of childlike wonder, traditional gender roles, and employees that are paid too little to have the security to attempt to unionize, it might be a fair bit close to the ideal community he envisioned when he started spinning up the Disney theme parks!

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Good point! And while not anime per se, I want to echo your earlier Defunctland shout-out with one of my own. Seriously, check out his stuff. If you, like me, avoided him for years because you thought you weren’t interested in amusement parks, then I would encourage you to think twice.

His FastPass documentary in particular opened my eyes to amusement parks as these highly complicated social engineering projects, on top of all the regular engineering that needs to be done with them.


For all of my very valid gripes with the Disney corporation, I was repeatedly impressed during my time at Disneyland this summer with just how frictionless an experience the park provided! While I’m sure a portion of that was due to me being sherpa’d along by a couple of Disney adults who’ve collectively spent weeks of their lives at this theme park, it was still a feat to behold.

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The intersection between psychology and logistics involved in crowd control present in spaces like amusement parks is deeply interesting. While I’m sure much of it is trial and error, the way Disney, Six Flags, and other major venues of this nature manage to keep the often fickle and quick-to-complain masses engaged and entertained is something to behold. For folks looking to scratch a similar itch in a more expedited viewing window, I’d recommend CPG Grey’s old video analyzing the fastest ways to board a commercial airliner.


Yet one day, all of these feats of problem solving and crowd control may be lost in time, like tears in rain. Because as I was thinking about parks of theme and things of that nature, I realized that my favorite work in this “genre” is probably Kemono Friends.

Like, it takes place in a safari park ravaged long ago by an apocalypse, such that now it’s populated by cute anime animal girls. The OP is a theme song for the park. The adventure guides Kaban, Serval, and company through a menagerie of abandoned infrastructure. It is quite literally on-theme.

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Looking back, Kemono Friends definitely feels like a more impactful work than it gets credit for. Releasing in 2014, it’s a progenitor to the “cute girls doing cute things” genre of anime, with “existing as anime girls” being said cute thing!

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Even if I personally never got super into the work, it’s easy to see the appeal. Especially considering that actual animals were getting into this anime during its heyday, I fully see now why this anime was seemingly everywhere for a hot second.
And, of course, RIP Grape-kun.

Of course (pictured: what Grape-kun saw when he died)

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I also suppose we, um, should at least mention the existence of Welcome to Mizuryuu Kei Land. Because it exists.

Honestly, thank you for bringing up Mizuryuu Kei Land so that I don’t have to reveal that it was the first series I thought of when this topic came up in our planning chat!

This image contains sexually suggestive themes.
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Respect.

While I’m fairly confident that the title precedes itself in our circles, for the less informed, this is a long-running hentai manga anthology by Mizuryu Kei whose works often deal in these like exhibitionism and excessive displays of sexuality. Mizuryuu Kei Land explores all of these themes and more in a decidedly un-family friendly (well, except for those chapters that focus on step-family members, I guess) theme park that is dedicated to sexual fulfillment.

This image contains sexually suggestive themes.
Click to view

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This image contains sexually suggestive themes.
Click to view

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If nothing else, I really want to highlight the localization and character designs/costuming in this work, which go WAY harder than they need to, and I can’t help but appreciate the passion that went into both parts of this work.

On the complete opposite end of the spectrum, we should note that an anime theme park already exists! In real life and everything! It’s called Ghibli Park, and you can see it near Nagoya, Japan. I know. I’ve been there.

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Photo by Sylvia

That being said, it definitely leans “theme” more than “amusement.” It’s not about rides as much as it’s about areas themed around different Ghibli films.

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Photo by Sylvia

Like, there are a bunch of houses built to be 1:1 replicas of settings from films like Whisper of the Heart or Kiki’s Delivery Service. Which is cool, but it also felt a lot like walking through my grandma’s house, full of little knick-knacks and pots and pans and such. I suppose some of the appeal is that you don’t see as many of these old European-style houses in Japan. But you’re also not allowed to take pictures in most of them, so you’ll have to take my word for it.

I’ll take your work on just about anything, Sylvia, though it does help that I’ve had a few friends who have traveled to Japan recently corroborate your experience! With how many people want to live inside of Ghibli movies, it makes sense that the studio’s theme park would be a more ambient experience. Also, as someone who will readily admit that I’m bad at relaxing, I do see the appeal of an amusement park whose entire purpose is to make people slow down and really take in a space.

I liked it! There was a whole section that was a little nature preserve where you could just walk and bask amongst the trees. Definitely felt like an intentional appeal to the pastoral imagery in the popular conception of what “Ghibli” means.

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Photo by Sylvia

That being said, you could also walk up the hill in this area and find a statue of Totoro. Children would then climb inside of him to poke their arms horrifically out of the metal bars making up his mouth. So, you know, it’s not all pastoral.

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Photo by Sylvia
Okay, but like, I would like to climb into a big Totoro? I either need to shrink significantly, or Ghibli needs to make a bigger version of this attraction before I visit Japan! And it’s super cool that there’s a little nature area on-site! Even for a park as slow-paced as Ghibli’s, the more spaces for attendees to decompress and self-regulate, the better imo.

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It’s also really nice to see such an authored and authentic take on the creative properties at play in a theme park! As anime becomes increasingly popular, we’re likely going to see more headlines about obvious cash grab activations like the ones this column opened with. However, I’d much rather see and would be far more likely to attend venues that are more interested in offering a distinct experience than trying to maximally extract money from the widest possible audience.

Ghibli is probably unique in having the “Brand,” the capital, and the means of putting together a park like this, in addition to more than enough recognizable IPs to draw on, most of which are family-friendly and world-renowned. Despite its similar levels of popularity, I feel like a Dragon Ball park would have to be more limited in scope, or more shallow in its theming.

Like, maybe a Weekly Shonen Jump park could work on a larger scale with more attraction diversity? But that also seems like a logistical nightmare from a licensing perspective alone.

You make a good point and, while I usually find comparisons between the two studios to be reductive, both Disney and Ghibli have been incredibly good about curating a brand identity and something resembling a house style. And while I think the way IP ownership in Japan works might make a crossover theme park more difficult, I like the idea of a Shonen Jump park!

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Though, if I’m wishcasting, my vote would be for Nintendo to finally follow through on the full scope of the promise of Super Nintendo World, and deliver experiences across their full portfolio. A sci-fi themed Metroid area would be a lot of fun, and the Splatoon IP is practically begging for live application of its gameplay!

Yeah, but then you’ll have people asking the Yoshi mascots to vore them. These are the things you need to plan for.

I am, admittedly, not much of a theme park girly. I’ve never been to Disney, nor do I have much of a desire to do so. And if I do visit Paris, I can guarantee it will not be due to an amusement park, Dragon Ball or otherwise. But I do love consuming long-form video content about them. The weirder the better. So I hope we get some ill-advised anime-themed projects cooking. I want to be watching a 3-hour documentary on the rise and fall of the Chainsaw Man ride in 2036.

Agreed, and as someone who has just a bit more theme park experience than you, I’d like to encourage our readers to bring hand sanitizer to any theme park outing, but especially if they plan on taking a suspicious fluids and tetanus-filled romp through a Chainsaw Man themed amusement park!

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